In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film q[...]

French critic and composer Michel Chion argues that watching movies is more than just a visual exercise--it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering[...]

Life never ceases to give homage to Jacques Tati. Be it on the beach, in an old part of town, or in the glamour of a modern city, we find everywhere the gags which have peopled such films as Les Vacances de Monsieur Hulot and Playtime. If a silhouette crosses us at a street corner, we are quickly re[...]

French critic and composer Michel Chion argues that watching movies is more than just a visual exercise& mdash;it enacts a process of "audio-viewing." The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore re[...]